Tag: Dancing Ganesha

Dancing Ganesha is an exceptional form of Ganesha. Dancing Ganesha is also called as Nritya Ganpati. Nritya Ganpati is the 15th form of the 32 forms of Lord Ganesha. Nritya Ganpati literally means -Happy Dancer’. Lord Ganesha appears in a golden hue complexion in the dancing posture on one leg. The posture shows him dancing under a Kalpavriksha Tree (Wish Fulfill Tree). He has four hands in this form. In his main right hand, he can be seen holding the tusk and in the upper hand with an elephant goad. In the left upper hand, he is holding a battle ax and in the main left hand a noose. His fingers are adorned with rings of precious stones and his curled trunk with his favorite modak (sweet delicacy).

Magha Nakshatra (a constellation in Indian astrology that corresponds to Regulus) is related to this form of Ganesha. Devotees worshipping this form of Ganesha is believed to give proficiency and success for fine arts. Nritya Ganpati is ardently worshipped by devotees inthe field of arts, music and dancers.

There is truly adorable story behind this form of Ganesha. As per the legend one of Ganesha’s roles was to please, amuse and entertain his parents Lord Shiva and Goddess Parvati. Along with the ganas (Shiva’s companions), Lord Ganesha also loved to dance for the entertainment of his parents. The act of dancing has been extremely significant to the Hindus.

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Dancing Ganesha

This dancing , elephant-headed creature is Ganesh , Hinduism’s Lord of Beginnings and Remover of Obstacles. Before beginning a school year, taking a trip, or starting a new business, Hindus pray to Ganesh for assistance, and he is prayed to at the start of all Hindu worship.

Many Ganesh statues represent Him dancing. The Linga-Purna reports indeed that Ganesh, just after He was created to fight the devils, immediately started to dance in front of the assembly of gods.

The Ganesh dancing movement is more or less dynamic; one can discriminate the following figures:

The right leg is raised, the left leg, laid on the ground, is bent, but the dance seems to be interrupted; this is probably the most usual form. It’s similar to the Shiva’s rdhvajanu dance, found in the northern Ganesh : the right foot is resting on the ground, leg bent, while the left leg is raised and folded, foot stretched to the ground. The reverse posture is also known. Sometimes, in the same posture, Ganesh is standing on His mount. An unusual explanation of the mouse’s rle, states that it represents the power of the life breath. Placing His left leg on His mount, Ganesh exerts His mastery on Ida Nadi. The movement is dynamic at the utmost and even violent (Nepal). In some cases Ganesh , crowned with a halo of flames, one leg stretched in the Ardhapradilasan posture, looks similar to the angry deities of the Mahyna. In some tantric Ganesh images, the god put His left foot on the mouse and the right foot on the lion, a symbol of Pingala Nadi and also the vehicle of His mother, under the form of Durg. One may understand this representation as the balanced state of the Nadi, a process in the Pranayama yogic practice.

The act of dancing is spiritually significant in Hinduism. It is related to the perpetual cycle of creation and destruction, called samsara, that defines the universe and from which humans seek to escape.

Dancing Ganesha